1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Introducing the worship song “Come, Holy Ghost / Be Not Afraid” by Bruce Benedict and Ray Mills.
Introducing the worship song “Come, Holy Ghost / Be Not Afraid” by Bruce Benedict and Ray Mills.
Differences in musical tastes, aesthetics and priorities are notoriously contentious issues for congregations and ministries to navigate.
Caring about God’s good creation includes lamenting whatever harms it and joining God’s mission to make all things new. Songs from around the world explore these ideas.
We confess that God created heaven and earth and everything in it. We sing that this is our Father’s world. Yet, billions of people suffer in places where so much is no longer bright and beautiful. This worship resource guide will help your community plan services that honor our Creator, who invites us to join in caring for the whole creation.
This is a conversation with artist Sandra McCracken and John Witvliet.
Martin Luther posted his ninety-five theses on the door of the Wittenberg Castle Church on October 31, 1517. This worship resource guide will help your community plan services of grace and truth as you commemorate the five hundredth anniversary of the Protestant Reformation or plan worship for a Reformation Sunday.
Ethnomusicologist Alfredo Colman encourages musicians who lead congregational songs from other cultures to engage with someone from that culture in order to understand and find ways in introduce songs in worship that respect and honor God and the culture.
More people are training to lead music and worship in Protestant churches in Argentina. As in churches elsewhere, they must balance using popular songs from other cultures with creating music that helps worshipers live out their faith in the real world.
Jamaican pastor, Dwight Kelly, reflects on how scripture songs can be written in the language of the worshiper's heart. Heartsongs use words that reflect the context and language of those who are singing them.
Remarkably, even since the publication of Psalms for All Seasons just a few years ago, over 30 new Psalm-based songwriting and recording projects have emerged from a variety of contemporary worship leaders across North America and beyond. While some of these settings are designed for solo voices, many are well-suited to congregational use, and are worthy heirs to the legacy of congregation-based Psalms re-established by Luther and Calvin.
This vesper service from the 2017 Calvin Symposium on Christian Worship focuses on the Magnificat.
