1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
In this final worship service, Jared Alcantara will preach on Ezekiel 47, “A Trickle of Ever-Growing Hope.” As we dwell with these images of hope after a hard time, we will be led by Calvin University choirs directed by Pearl Shangkuan. Organist David Cherwien will participate as well.
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Mark Labberton will preach “The Prophetic Call and First Messages” based on Ezekiel 1–2. Other worship service participants include Alexis VanZalen, the Grand Rapids Christian High School band, Katie Ritsema Roelofs, Joel Littlepage, Kimberly Williams, Brian Hehn and Justin Fung.
Led in Korean and English by the Woodlawn Christian Reformed Church Choir, directed by Chan Gyu Jang; the Living Water Church Worship Team, directed by Yohan Lee; and members of the Calvin University and Calvin Theological Seminary Korean communities. Anne Zaki will preach on Ezekiel 10–11, “God’s Glory Departs from Israel.”
Preacher Brianna Parker will focus on the valley of dry bones described in Ezekiel 37 in this service of the word and table that is led by the Calvin University Gospel Choir and Nate Glasper with Ruth Naomi Floyd.
You might think that hymn tunes must always be in four-part harmony. But hymn tune composer Benjamin Brody includes many music styles for congregational singing in his new hymn collection - At the Weaving of Creation: 50 New Tunes.
Deborah Haarsma and Scott Hoezee explain how worship that honors God as Creator can defuse culture wars between science and faith.
Una guía para los ritmos y énfasis cristológicos durante el año para la adoración en las iglesias.
Playing his trumpet in worship alongside adult instrumentalists profoundly affected Brian Reichenbach’s Christian faith and church life. He works to help congregations give school band and orchestra students a similar grounding.
Does your worshiping community sing contemporary worship songs from the CCLI Top 100 list? If so, maybe you wonder how these songs are forming worshipers’ views of God and the life God calls us to. Worship leaders and contemporary worship experts offer seven tips for evaluating your song choices and filling in gaps.
Several denominations have created or are creating rubrics for vetting CCLI Top 100 contemporary worship songs. Vetting sparks conversations that help worship leaders make faithful decisions about which songs to put on congregations’ lips.
Churches around the world seek permission to use contemporary worship music from Christian Copyright Licensing, Inc., or CCLI. Late in 2018, CCLI Song Select quietly introduced a liturgical section to help churches select contemporary music that fits the classic ordo, the four-fold pattern of worship. Robert Feduccia explains why.
CCLI (Christian Copyright Licensing, Inc.) hugely influences what many congregations sing, so the United Methodist Church began vetting CCLI Top 100 songs in 2015. Since then, song leader Brian Hehn has been encouraging other denominations to vet these popular contemporary worship songs so he can eventually create an ecumenically approved list of CCLI Top 100 songs.
En el libro de los Salmos encontramos un modelo que muestra cómo los creyentes antiguos caminaron en el camino de la vida sorteando las muchas circunstancias de la vida.
