1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University and Calvin Theological Seminary
© 2025 Calvin Institute of Christian Worship
This syllabus is a guide for a class that explores the role of music, culture, and diversity in the way we worship God.
To love to hear the Lord spoken of, and to seek to follow him: Is there a finer summary description of a Christian’s aim?
This syllabus covers a study of resources, skills, and strategies for planning and leading public worship services. Particular attention will be given to the interpretative reading of Scripture, congregational prayer, training lay worship leaders, and celebrations of baptism and the Lord’s Supper.
This syllabus provides a guide for a course that explores the current status and evolution of the worship arts culture within contemporary Christendom.
This syllabus was designed for a basic worship course that is designed to prepare people in initial skills needed to lead worship in local congregations today. The main question asked in the course is: how is Christ's presence manifested in a church's worship?
This syllabus is designed for a basic worship course. It should cover all the basic aspects of congregational worship life as well as covering the various tasks involved in leading congregational worship.
A course syllabus for a class that provides an introduction to the history and theology of worship music.
This syllabus is for a course that thoroughly covers hymns, and studies the more philosophical aspects of liturgy.
This course was shaped to mirror the way that a music minister experiences his or her involvement with the church, from searching for a job to the nuts and bolts of the ministry to leaving a position. Each step along the way the students completed projects that dealt with a different area of ministry.
This syllabus follows the outline of the required text, focusing on the movements of worship and spirituality in the various paradigms – the ancient, medieval, Reformation, and modern. Special attention is given to the cultural context of each paradigm and the impact of culture on the worship and spirituality of the period.
This course teaches the fundamentals of guitar-playing to those worship leaders with little or no experience. It started with simple chords, because most guitarists in praise bands and pop music focus on playing chords, and then moves on to more difficult techniques.
This syllabus is for a course that deals with leading praise bands. Students will be introduced to contemporary worship of all styles, learn how to build quality congregational repertoire, build skills in worship planning, gain expertise in arranging music for contemporary worship ensembles, and develop skills in rehearsing and leading worship groups.
