1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Violence, Injustice, Trauma, and the Ordinary Practices of Christian Worship in a Social Media Age, a 3-part lecture series with Dr. John Witvliet
Public worship is so much more than an exercise in thinking. It is also about the gestures, postures, and profound emotions that emerge from our covenantal engagement with the triune God. As we face the world's tragedies, how might Christian public worship be a school of discipleship not merely for how we think about them, but also for how we feel about and in them? How might worship purify and sanctify our emotions? Drawing on several generations of theological testimony about African-American spirituals, this lecture will explore what "godly sorrow," "righteous anger," and "cruciform hope" have sounded like across a range of Christian worship music, and then explore how we might deepen our own practices of singing together at the Lord's Table. We'll conclude with reflections on how all of these forms of transfigured engagement with violence, injustice, and trauma require collaboration in Christian community. We need each other—pastors, musicians, and artists; Mennonite, Reformed, and Catholic communities; missiologists, pastoral care givers, and theologians—not so that we will arrive at a neat and tidy formula for our typical Sunday morning services, but rather to cultivate a cruciform imagination out of which those services will be shaped and experienced, and a mutual commitment to serve together as ministers of God's peace.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
