1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2025 Calvin Institute of Christian Worship
This worship service's theme focuses on the blessing of persevering in the midst of oppression while trusting in the Lord.
Greeting
Call to Worship: Lamentations 3:22–23
“You Are God” by Jaewoo Kim, Josh Davis, Paul Neeley, and Carol Steddom
“Tu fidelidad/I Depend upon Your Faithfulness” by Miguel Cassina
Draw Near (Psalm 69) by Wendell Kimbrough
Prayer for Illumination
Prayers of the People with sung refrain “Don’t Be Afraid” by John L. Bell
The Hope of the Poor (Psalm 9) by Wendell Kimbrough
Benediction
“In this Dry Land” by Kim Young Beom
Passing the Peace
Leaders: Kevin Adams; María Cornou; Liturgical Movement and Scripture Arts Teams; Hannah BarkerNickolay; Jackson Nickolay; Paul Ryan; Greg Scheer; Reggie Smith; Kathleen Turner; Joyce Ann Zimmerman; with current and past members of Calvin College’s Worship Apprentice program, Brian Bolton, Joyce Chew, Luke Enders, Josiah Enos, Rachael Hoekwater, Angie Lee, Carlos Lemange, and Holly Stebbins (calvin.edu/ offices-services/campus-ministries/leadership-opportunities/lead-worship/worship-apprentice).
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
