1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
View the session handout:
“Psalm 150 (Praise the Lord)”
Matt Boswell, Matt Papa
© 2020 Getty Music Hymns and Songs; Getty Music Publishing; Love Your Enemies Publishing; Messenger Hymns CCLI License #400063
“Let the Earth Be Glad (Psalm 96)”
Wendell Kimbrough
© 2020 Kimbrough, Wendell; CCLI License #400063
“From Everlasting (Psalm 90)”
Lacy Hudson, Lisa Clow
© 2021 Sovereign Grace Praise; CCLI License #400063
“Be Still (Psalm 46)”
Wendell Kimbrough
© 2021 Kimbrough, Wendell; CCLI License #400063
“Psalm 27 (The Lord Is My Light)”
Jordan Kauflin, Laura Story, Matthew Merker
© 2024 Getty Music Hymns and Songs; Getty Music Publishing; Jordan Kauflin Music; Laura's Stories and Songs; Matthew Merker Music; CCLI License #400063
“Lord From Sorrows Deep I Call (Psalm 42)”
Matt Boswell, Matt Papa
© 2018 Getty Music Hymns and Songs; Getty Music Publishing; Love Your Enemies Publishing; Messenger Hymns; CCLI License #400063
“I Will Wait for You (Psalm 130)”
Jordan Kauflin, Keith Getty, Matthew Merker, Stuart Townend
© 2018 Getty Music Publishing; Jordan Kauflin Music; Matthew Merker Music; Townend Songs; CCLI License #400063
“God Is Faithful (Psalm 114)”
Bob Kauflin, Lacy Hudson
© 2022 Sovereign Grace Praise; CCLI License #400063
“Oh Give Thanks (Psalm 107)”
Wendell Kimbrough
© 2014 Kimbrough, Wendell; CCLI License #400063
“Yahweh (Psalm 84)” Adam Daniel Westlake, Britton Hardcastle, Carrie Elizabeth Hardcastle, George Douglas Koehl, Laela Beth Dasher, Mac Hayes, Max Dasher
© More Songs From Wellhouse; Songs From Wellhouse; CCLI License #400063
This session was originally recorded at Psalms 150: A Conference Experience.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
