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How does this psalm piece interpret the psalm?
Unlike the more famous setting of this psalm (the chorus “The Heavens Are Telling” from Haydn's oratorio The Creation), this piece is quiet and reflective. It seeks to capture the humility and awe of the psalmist looking to the heavens and realizing just how small he is and how marvelous and mysterious God’s creation is. The psalm itself says that the heavens speak in a language that no one can hear—essentially, the heavens do not speak audibly, yet their silence is testimony to a transcendent glory that is best experienced in the stillness of one’s heart. This is the reason for this quiet and intimate musical interpretation.
Other resources by Delvyn Case
This piece may be performed by a solo singer as a special anthem appropriate as a sermon reflection or a preparation for Communion. It would fit well with worship celebrations focusing on the glory of God’s creation.
Music: Delvyn Case, © Delvyn Case
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
