1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Worship led by Calvin University Worship Apprentices and mentor Paul Ryan, with Psalm Talks by Amanda Benckhuysen, Jared E. Alcántara, and Cynthia Eriksson, and artistic responses by Dea Jenkins and Joel Schoon-Tanis.
This service was originally recorded at Psalms 150: A Conference Experience.
Welcome
Song: Psalm 133 “See How Good It Is”
Text and Music: Psalm 133; Sandra McCracken and Wendell Kimbrough © 2019 Integrity Music, Paper News Publishing, Wendell Kimbrough
Used by permission. CCLI #400063.
Call to Worship
Adapted from Worship Sourcebook S.1.2.2
Song: Psalm 150 “Praise the Lord”
Text and Music: Psalm 150; Matt Papa and Matt Boswell © 2020 Getty Music Hymns and Songs, Getty Music Publishing, Love Your Enemies Publishing, Messenger Hymns
Used by permission. CCLI #400063.
Prayer of Lament and Petition
Song: Psalm 42 “Praise Him Again”
Text and Music: Psalm 42; Adam Daniel Westlake, Bryan Christopher Fowler, Chijioke Nnamani, Jared Maxwell Davidson, Simon Ng and Victoria Christine © Getty Music Publishing, LivingHymns, More Songs from Wellhouse, Songs from Wellhouse
Used by permission. CCLI #400063.
Song: Psalm 107 “Oh, Give Thanks”
Text and Music: Psalm 107; Wendell Kimbrough © 2014 Wendell Kimbrough
Used by permission. CCLI #400063.
“Schooling Our Hearts in the Things of God” by Amanda Benckhuysen
Response from Dea Jenkins
“Preaching the Prayer Book of Jesus” by Jared E. Alcántara
Response from Dea Jenkins
“The Psalms: Songs for Trauma Recovery and Resilience” by Cynthia Eriksson
Response from Dea Jenkins
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
As inhabitants of the modern age, we are deeply marked by skewed ways of thinking that thwart our humanness, our involvement with the world, and our spirituality. This is a philosophical tune-up that directly challenges and dispels modernity’s implicit philosophy. My philosophical proposals in my 2023 book Doorway to Artistry target the creative process, but they positively affect and bring healing to all arenas of life and work and worship. I pose that we as human persons are meant to live out a joyous “yes” to the real, and our involvement with the real takes the form of intimate encounter and communion. My approach reflects especially on God’s creative act and God’s created things. It taps epiphany, the redemptive encounter, and the Eucharist as paradigms for our knowing, our artistry, and all our everyday involvement with the world, so it should make us better at our stewardly dominion and voicing creation’s praise in worship.
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
As inhabitants of the modern age, we are deeply marked by skewed ways of thinking that thwart our humanness, our involvement with the world, and our spirituality. This is a philosophical tune-up that directly challenges and dispels modernity’s implicit philosophy. My philosophical proposals in my 2023 book Doorway to Artistry target the creative process, but they positively affect and bring healing to all arenas of life and work and worship. I pose that we as human persons are meant to live out a joyous “yes” to the real, and our involvement with the real takes the form of intimate encounter and communion. My approach reflects especially on God’s creative act and God’s created things. It taps epiphany, the redemptive encounter, and the Eucharist as paradigms for our knowing, our artistry, and all our everyday involvement with the world, so it should make us better at our stewardly dominion and voicing creation’s praise in worship.
Explore the compelling beauty of the Bible's covenantal vision of the divine-human relationship and the transformative difference this makes for how we worship the triune God. This session will feature insights from the authors of two influential books: Esther Lightcap Meek's Loving to Know: A Covenantal Epistemology and Daniel Block's Covenant: The Framework of God's Grand Plan of Redemption.
