1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Nate Glasper and the 7:9 Project, a multicultural group of Calvin University students, lead a time of morning song and prayer firmly grounded in scripture. Inspired by the vision of Revelation 7:9, this gathering reflects the beauty of “every nation, tribe, people, and language standing before the throne and before the Lamb.”
This service was originally recorded at the 2025 Calvin Symposium on Worship.
Nate Glasper and Calvin University 7:9 Project
“Kau Rajaku”
Text and Music: Daniel Sigarlaki, Sari Simorangkir, Ucok Radjagukguk © 2010 Sari Simorangkir Used by permission. CCLI #400063.
“Hymn of Heaven”
Text and Music: Bill Johnson, Brian Johnson, Chris Davenport, and Phil Wickham © Brian and Jenn Publishing; CDavs Music; Songs for TIM; Phil Wickham Music; Simply Global Songs; Bethel Music Publishing; admin. Bethel Music Publishing, Capitol CMG Publishing, Essential Music Publishing LLC Used by permission. CCLI #400063
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
