1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Below are video clips (link on each title) from the half-hour conversation, highlighting key periods in the formation and life of Dr. Uzee Brown. Dr. Brown joined the faculty in 1973 and currently serves as Chair of the Division of Creative and Performing Arts at Morehouse College. He holds a Bachelor of Arts from Morehouse College, a Master of Music in Composition from Bowling Green State University, and a Master of Music and Doctor of Musical Arts in Voice Performance from the University of Michigan.
He has received numerous composition and arranging commissions ranging from National Public Radio and the Atlanta Symphony to colleges, universities, church and civic organizations, and his compositions have been heard throughout the world, including Lincoln Center and Carnegie Hall. His engagements include master classes, workshops and recitals of African-American music from work songs and spirituals to art songs. Additionally, Dr. Brown served for several years as the director of the historic Ebenezer Baptist Church Choir.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
