1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
The Aeolians of Oakwood University, established in 1946, performs choral music repertoire from the Baroque era to;the 21st century, under the direction of Jason Max Ferdinand. In 2017, they won the Choir of the World award at the LLangollen International Musical Festival. In 2018, they won three gold medals at the 10th World Choir Games and the championship in both the University Choirs and the Spirituals categories. In 2019, they became the first HBCU;choir to be selected from blind auditions to perform at the National ACDA Conference.
Jason Max Ferdinand is a professor, the director of choral activities, and the chair of the music department at Oakwood University, Huntsville, Alabama. He is in his twelfth season conducting the world-renowned The Aeolians of Oakwood University. He maintains an active schedule as a composer, presenter, adjudicator, and guest conductor for high school, collegiate, and church choirs throughout North America, Europe, Asia, and the Caribbean. His choral series bearing his name is in circulation by Walton Music, a division of GIA Publications, Inc. His greatest passion is watching those who he has mentored become conductors and composers in their own right.
PRONE TO WONDER
Holy, Holy, Holy! Lord God Almighty (Reginald Heber; arr. Adrian T. Westney)
We Shall Overcome (arr. Robert T. Gibson)
Come, Thou Fount of Every Blessing (Robert Robinson; arr. Mack Wilberg)
THE JOURNEY OF OUR LIFE
Pilgrims’ Chorus from “Tannhäuser” (Richard Wagner; arr. William Dawson)
Examine Me (Cedric Dent)
The Chariot Jubilee (R. Nathaniel Dett; instrumentation arr. Jason Max Ferdinand) Roderick George, Tenor
The Gospel Train (arr. Ken Burton)
Away and in Danger (Shawn Kirchner)
Shout For Joy (Adolphus Hailstork)
When I Lay Me Down to Sleep (James Mulholland)
WHOM SHALL I FEAR?
Jehovah Sabaoth (Donald Lawrence)
Someday (arr. Nathan Carter)
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
