1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2025 Calvin Institute of Christian Worship
The Confession: “Agnus Dei”
Text and Music: Rachel Wilhelm © 2020 Rachel Wilhelm
Used by permission.
The Invocation: “Psalm 130”
Text and Music: Psalm 130; Rachel Wilhelm © 2021 Rachel Wilhelm
Used by permission.
The Complaint: “Psalm 10”
Text and Music: Psalm 10; Rachel Wilhelm © 2017 Rachel Wilhelm
Used by permission.
The Petition: “Draw Near”
Text and Music: based on Psalm 69; Wendell Kimbrough © 2018 Wendell Kimbrough
Used by permission. CCLI #400063.
The Kyrie: “Kyrie”
Text: Rachel Wilhelm and Kate Bluett © 2020 Rachel Wilhelm and Kate Bluett
Music: Rachel Wilhelm © 2020 Rachel Wilhelm
Used by permission.
The Lord’s Prayer
The Assurance: “I’ll Not Be Shaken”
Text and music: Wendell Kimbrough © 2015 Wendell Kimbrough
Used by permission. CCLI #400063.
The Praise: “Great Is Thy Faithfulness”
Text: Thomas O. Chisholm, 1923 © 1923, ren. 1951 Hope Publishing Company
Music (FAITHFULNESS): William M. Runyan, 1923 © 1923, ren. 1951 Hope Publishing Company
All rights reserved. OneLicense.net A-703303.
God Sings Over Us: “Fear Not, for I Am with You”
Text and Music: based on Jeremiah 45; Rachel Wilhelm, Derek Boemler, Karin Simmons ©2023 Rachel Wilhelm, Derek Boemler, Karin Simmons, Devin Pogue
Used by permission.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
