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This is a multilingual setting of Psalm 117 submitted by Paul Neeley. It was composed by Paul Neeley and Josh Davis.
Psalm 117
How does this psalm piece interpret the psalm?
Psalm 117 has been my life’s direction-setting passage for many years, with a clarion call for all people groups to worship the Lord. In this song, languages used include English, Hebrew, Kiswahili, Portuguese, Korean, Spanish, and French. All the language phrases mean “Praise the Lord!” A Native American flute is also used in addition to global percussion, though those are not necessary to use the song in a church service. Psalm 117 is as significant today as it was thousands of years ago, calling all the “ethne” to praise the Lord for God’s love and faithfulness. We should say or sing this short psalm continually.
To use this song at a church, keep the “Hallelujah” in Hebrew as presented here and ask people in your congregation to sing the phrase in their languages. You do not need to use six in a single service! The idea is to have a few multilingual phrases and melodic phrases that interlock in a pleasing manner.
Text and Music: Psalm 145; Paul Neeley and Josh Davis, © Paul Neeley and Josh Davis
Used by permission. Creative Commons.
Contact: Paul Neeley, paulneeley@gmail.com; Josh Davis, jd@proskuneo.org
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
