Apply for the Vital Worship, Vital Preaching Grants Program to support and enhance Christian worship practices. We encourage proposals on universal design, cultural engagement, preaching, baptism, the Lord’s Supper, and more. Two grant streams are available.
Join us for our Symposium on Worship and Summer Seminars. Engage in inspiring sessions, workshops, and intensive seminars to deepen your understanding and practice of Christian worship.
Psalmody in Color: Celebrating the Sacred Music of Black Voices
Anchored by an evening concert of psalm-based works, the Psalmody in Color festival includes a day of educational programming that engages scholars, musicians, clergy, and community members in dialogue about the role of psalmody in Black musical expression. Participants will encounter the psalms as a living and evolving art form rooted in scripture, shaped by history, and brought to life through the artistry of Black composers.
The Calvin Institute of Christian Worship at Calvin University advances Christian worship through resources, events, and grants. Since 1997, we have partnered with congregations and organizations to fulfill our mission.
Come, Thou Fount of Every Blessing: The Aeolians at Calvin University
Published on
April 8, 2020
Video length
13 mins
The Aeolians of Oakwood University led a festival of songs at the Calvin Symposium on Worship in January 2020.
The songs below come from a song festival at the Calvin Symposium of Worship in January 2020 and was led by The Aeolians of Oakwood University, directed by Jason Max Ferdinand. The orchestral musicians are from the Grand Rapids, Michigan area.
The Aeolians of Oakwood University, established in 1946, performs choral music repertoire from the Baroque era to the 21st century, under the direction of Jason Max Ferdinand. In 2017, they won the Choir of the World award at the LLangollen International Musical Festival. In 2018, they won three gold medals at the 10th World Choir Games and the championship in both the University Choirs and the Spirituals categories. In 2019, they became the first HBCU choir to be selected from blind auditions to perform at the National ACDA Conference.
Jason Max Ferdinand is a professor, the director of choral activities, and the chair of the music department at Oakwood University, Huntsville, Alabama. He is in his twelfth season conducting the world-renowned The Aeolians of Oakwood University. He maintains an active schedule as a composer, presenter, adjudicator, and guest conductor for high school, collegiate, and church choirs throughout North America, Europe, Asia, and the Caribbean. His choral series bearing his name is in circulation by Walton Music, a division of GIA Publications, Inc. His greatest passion is watching those who he has mentored become conductors and composers in their own right.
"Jehovah Sabaoth" (God of Angel Armies)
Text and Tune: Donald Lawrence. Used by permission.
"Away in Danger"
Text and Tune: Shawn Kirchner. Used by permission.
"Chariot Jubilee"
Text and Tune: R. Nathaniel Dett; instrumentation arr. Jason Max Ferdinand. Roderick George, Tenor Used by permission.
Preaching and Teaching the Psalms: A Conversation with Pastor-Theologians
A panel discussion in which Amanda Benckhuysen, Karen Campbell, G. Sujin Pak, and moderator Kathy Smith ponder the challenges and opportunities in preaching and teaching from the psalms. Are there incomplete or incorrect assumptions about the psalms that sermons and lectures can tackle? How do we handle the imprecatory psalms when we have a Savior who told us to love and forgive the very enemies many psalms talk about? The panel will consider these and other vital questions for preachers and teachers in today’s church.
Being Shaped by the Psalms: Lessons in Trust, Hope, and Love
The psalms reflect our deepest emotions as people of faith. In their expressions of thanksgiving, trust, lament, anger, joy, doubt, and praise, these ancient prayers seem to peer right into our souls and put words to our thoughts and experiences. But the psalms are more than human words to God. Embedded as they are in the scriptures, they are now also God’s word to us.
Anneke Kaai studied fine art and painting in the Netherlands at secular schools in the 1960s and ’70s. That experience compelled her to express her Christian faith through her art. She has painted many works based on scripture, including three series of paintings on the psalms, which she sees as a bountiful resource of imagery for the full range of human feelings in relation to God.
Preaching and Teaching the Psalms: A Conversation with Pastor-Theologians
A panel discussion in which Amanda Benckhuysen, Karen Campbell, G. Sujin Pak, and moderator Kathy Smith ponder the challenges and opportunities in preaching and teaching from the psalms. Are there incomplete or incorrect assumptions about the psalms that sermons and lectures can tackle? How do we handle the imprecatory psalms when we have a Savior who told us to love and forgive the very enemies many psalms talk about? The panel will consider these and other vital questions for preachers and teachers in today’s church.
Being Shaped by the Psalms: Lessons in Trust, Hope, and Love
The psalms reflect our deepest emotions as people of faith. In their expressions of thanksgiving, trust, lament, anger, joy, doubt, and praise, these ancient prayers seem to peer right into our souls and put words to our thoughts and experiences. But the psalms are more than human words to God. Embedded as they are in the scriptures, they are now also God’s word to us.
Anneke Kaai studied fine art and painting in the Netherlands at secular schools in the 1960s and ’70s. That experience compelled her to express her Christian faith through her art. She has painted many works based on scripture, including three series of paintings on the psalms, which she sees as a bountiful resource of imagery for the full range of human feelings in relation to God.
Psalmody in Black: The Psalter as Human Expression
This workshop explores the deep connection between the psalms and the breadth of human emotion through musical settings by Black composers. Interwoven with reflections on the history and function of the Psalter, this program reveals how these timeless texts continue to speak to the spiritual, emotional, and cultural experiences of our shared humanity.
