1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University and Calvin Theological Seminary
© 2024 Calvin Institute of Christian Worship
Dr. Kathleen Turner demonstrates simple and accessible congregational movement to accompany the song, “Come to Me” by Wendell Kimbrough.
This setting of Psalm 150 was submitted by composer Delvyn Case and performed by Elizabeth Ostling. It explores the mystical connection between breath, life, music, and praise as described in the psalm.
This expression of Psalm 148 was submitted by Ed Willmington, who wrote it with Clayton J. Schmit. The nature of Psalm 148 is total exuberance as all of nature offers praise to God.
This setting of Psalm 148 was written and submitted by Armenian American composer Tatev Amiryan. It represents a musical interpretation of Psalm 148, “Praise the LORD.”
This is a multilingual setting of Psalm 117 submitted by Paul Neeley. It was composed by Paul Neeley and Josh Davis.
This setting of Psalm 146 was submitted by Larry Visser, who also composed this organ setting.
This setting of Psalm 145 was submitted by Paul Neeley, and was composed by Paul Neeley and Josh Davis. The chorus text includes a New Testament prayer to help us live out the psalm text.
This musical setting of Psalm 137 aims to interpret the spirit of the psalm rather than being a literal rendition, turning harps into guitars and naming some of the oppressors of our modern world.
Carlos Colón demonstrates and talks about three songs for Epiphany, as part of the series "Songs from the hymnal / Cantos del himnario Santo, Santo, Santo / Holy, Holy, Holy.'"
This Cantonese setting of Psalm 13 was written and submitted by Yvette Lau - music arranger: Jim Ling; singer: Joanne Fung; choreographer: Eric Lau; dancer: Cat Lau - and focuses on praying to God with both lament and trust.
This is a word-for-word musical setting of Psalm 117 - NASB - written by Mary Rose Jensen. Included are an MP3 with vocalist Debby McElroy and a PDF from the songbook “Songs of Joy.” Text from the New American Standard Bible used with permission from The Lockman Foundation.
Breve canción de Gerardo Oberman basada en un verso del Salmo 124, utilizado al inicio de los cultos en la tradición reformada. / This setting of Psalm 124 was submitted by Gerardo Oberman and is based on a verse from Psalm 124 used at the beginning of the worship services in the Reformed tradition.
