Psalm 9 (and others): God’s Grand Story and the Communion Cross
This interpretation of portions of Psalm 9 and various other psalms was created and submitted by Barbara Sartorius Bjelland and focuses on how God’s grand story of redemption of all creation is woven into the psalms.
Psalm 90:1 –2: From Everlasting to Everlasting
This setting of Psalm 90:1 –2 was created and submitted by Regina Jupp and focuses on the idea that even in chaos we can find rest in our everlasting God.
Psalm 8:5–8 and 22:10: Whale Song
This interpretation of Psalm 8:5–8; 22:10 [The Message] was created and submitted by Barbara Sartorius Bjelland. The psalm imagery combines the transcendence of God the Creator with the immanence of God, who holds all things together with tender hands.
Psalm 85: Grant Us Your Peace, Lord
Psalm 85, “Grant Us Your Peace, Lord,” submitted by Yongjiang Zhou, was written by Jacques Berthier and focuses on peace.
Psalm 89:1–18: Bless the Lord Forever, Amen
This setting of Psalm 89:1–18 was written and submitted by Ken Michell. It focuses on God’s covenant community praising him for his love and faithfulness.
Psalm 8: Oh Lord, Our Lord, How Majestic
This setting of Psalm 8 was composed and submitted by Josh Rodriguez. It is a musical response to the opening lines of this psalm.
Psalm 57: Awake Up, My Glory
“Awake up, my glory” is a setting of Psalm 57 [KJV]. Sungji Hong wrote the music and submitted the setting. This text is a call for all of creation to joyfully praise the Lord our God. I tried to capture this idea of joy at God’s unmerited goodness and grace.
Psalm 9: Trust in You
This song based on Psalm 9 was submitted by Joel Jupp, who wrote and recorded the song, and it expresses our reliance upon the Lord’s sovereignty in the midst of uncertainty.
Psalm 71: I Will Always Have Hope
This setting of Psalm 71, written and submitted by Ken Michell, focuses on the rich connection between hope and praise.
Psalm 22: From Forsaken to Hallelujah
This expression of Psalm 22 was submitted by Ed Willmington, with lyrics by Brianna Wyatt and music by Edwin M. Willmington. The psalm begins in subdued sadness but ends in glorious worship.
Simple Movement and Gestures with Congregational Song
Dr. Kathleen Turner demonstrates simple and accessible congregational movement to accompany the song, “Come to Me” by Wendell Kimbrough.
Psalm 25: Good and Upright
This setting of Psalm 25 was submitted by Yellowhammer Hymns, a musical collaboration based out of Christ Church Presbyterian in Jacksonville, FL. The lyrics were written by Andy Zipf and Chuck Colson; Zipf composed the tune. The interpretation of the psalm considers the Christian’s dependence upon God for deliverance, help, and guidance from a joyous and celebratory perspective. The focus of the interpretation centers on the faithfulness and reliability of our God on whom we call in various forms of trouble, especially the personal and corporate predicament of sin.