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This setting of Psalm 8 was composed and submitted by Josh Rodriguez. It is a musical response to the opening lines of this psalm.
Psalm 8
How does this psalm piece interpret the psalm?
In the 16th century, Louis Bourgeois contributed many simple yet elegant tunes to John Calvin’s Psalter. I wrote this solo cello piece as both a personal meditation on Psalm 8 as well as a musical meditation on the Genevan Psalter’s tune for Psalm 8. “Oh Lord, our Lord, how majestic” is an invitation to ponder what the poet Gerard Manley Hopkins referred to as the “dearest freshness deep down things” of God.
As an instrumental work that celebrates the majesty and creative power of God, it can be used as a musical response to a sermon on Psalm 8 (as a time for congregants to reflect on the preached Word) or as prelude/offertory music in a service with this theme. This work moves beyond a mere arrangement of the Genevan psalm tune to become a new work appropriate for use in a liturgical or concert setting.
Text and Music: Psalm 8; Josh Rodriguez, © 2016 Josh Rodriguez
Used by permission.
Contact: Josh Rodriguez, josh.rodriguez.music@gmail.com
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
