1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Wendell Kimbrough’s setting of Mary’s Song captures the wonder, fear, and obedience of Mary’s response to Gabriel’s message. The song is a perfect fit for Advent, Christmas, and Lessons and Carols services.
Bert Polman counted more than 1000 musical settings of the Magnificat, Mary’s song from Luke 1:46-55. Do we need one more? Yes! Every generation should create new songs based on scripture. In fact, Mary’s song was based on Hannah’s song in 1 Samuel 2:1-10, which in turn was based on Psalm 113. Wendell Kimbrough builds on this legacy with a wonderful new version that fills a need for contemporary Christmas songs.
Renewed: Worship songs to refresh your church’s voice
Hosted by Greg Scheer
With Larry Figueroa, piano
Words and Music: based on Luke 1:46-55; Wendell Kimbrough © 2014 Wendell Kimbrough
For more information:
www.wendellk.com
Used by permission.
Hear the original recording on the Cardiphonia compilation Songs for the Incarnation.
(https://cardiphonia.bandcamp.com/track/marys-song-our-king-of-peace)
View Wendell Kimbrough’s website, with links to printed music, instructional videos, and a mailing list. (http://www.wendellk.com/)
Listen online to “Psalms We Sing Together,” Wendell's latest album, or purchase the CD. (https://wendellk.bandcamp.com/album/psalms-we-sing-together)
Email greg@gregscheer.com for an arrangement of “Mary’s Song" for choir, piano, and strings.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
