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This expression of Psalm 22 was submitted by Ed Willmington, with lyrics by Brianna Wyatt and music by Edwin M. Willmington. The psalm begins in subdued sadness but ends in glorious worship.
Psalm 22
How does this psalm piece interpret the psalm?
The psalm begins with the familiar words Jesus spoke from the cross: … “My God, why have you forsaken me?" In the middle of the psalm, it turns a corner toward worship in all the world. The lyrics take that same turn in the middle of verse 2, and the music follows that shift as well. This timeless psalm expresses a prayerful result of lament: joy and praise. The piece was commissioned to honor the work of John Witvliet and the Calvin Institute of Christian Worship. As a result, the tune is named WITVLIET.
Psalm 22 may serve well as the psalm in a traditional liturgy. These lyrics would also serve well in connection with the Lord’s Table.
Text and Music: Psalm 22; Ed Willmington, © 2018 Jubal House Publications
Used by permission.
Contact: Fred Bock Music Group, Steve Bock, sbock@fredbock.com
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
