Published on
February 20, 2013
Video length
3 min
Denise Kufus Weyhrich and Cindi Zech Rhodes founded SEEDS Fine Art Exhibits to create conversations between artists and viewers. They know from experience that churches and artists, whether Christian or not, don’t always trust each other.

Denise Kufus Weyhrich and Cindi Zech Rhodes founded SEEDS Fine Art Exhibits to create conversations between artists and viewers. They know from experience that churches and artists, whether Christian or not, don’t always trust each other.

Weyrich is an artist, curator, and educator in Orange, California. She taught graphic design at California State University-Long Beach and Chapman University until her retirement in 2004. She grew up Baptist and is now Lutheran.

Weyhrich gave the following interview in November 2012 while installing her work “Beacon” in the Calvin College library lobby in Grand Rapids, Michigan. In it she explains how churches can build trust with artists and how installation art can minister.

SEEDS curated an exhibit called “The Last Word” for the November 2012 Preaching in a Visual Age conference held at Ecclesia Hollywood church in Hollywood, California. Watch conference videos online.

Recent Media Resources

Robby Kiley on Creating Inclusive Community and Welcome

In this episode, Robby Kiley of Saint Pius X Parish in Granger, Indiana, shares how a grant project focused on welcome at the Mass for people across the spectrum of abilities extended beyond worship into a wider embrace of people in community and participation.  

December 13, 2024
Katie Callaway on Wonder, Curiosity, and Imagination in Worship

In this episode, Katie Callaway of Christian Temple Christian Church, in Catonsville, Maryland, shares how her congregation explored and deepened their understanding of worship by experimenting with godly play.  

December 13, 2024
Nathan Longfield on Embodiment, Creativity and Trauma-informed Worship

In this episode, Nathan Longfield, pastor of Emmaus Church, a newer worshiping community, talks about their year-long project that explored embodiment and trauma-informed practices to more deeply engage in worship as a congregation and community.  

December 10, 2024