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On the campus of Calvin University
© 2025 Calvin Institute of Christian Worship
Jesus said, "You will know the truth, and truth will make you free [John 8:32]. Yes, truth will set us free—but only if it is the whole truth, the whole story. Honor-and-shame culture teaches us that there’s no story of honor if there’s no story of shame. You don’t bring honor to someone by erasing shame, but by bringing shame into the light.
David Lemley’s book "Becoming What We Sing: Formation through Contemporary Worship Music" recognizes that contemporary worship music [CWM] helps Christians around the world feel close to God. Lemley looks at whether or how CWM moves worshipers from adoration to participation in the mission of God’s church.
Congregations become more relevant and biblical when they follow the Bible’s lead in bringing lament into worship. Rebekah Eklund’s book "Practicing Lament" shows churches, small groups, and individuals how to voice penitential lament and protesting lament. Learning to practice lament can reconnect people with God and help churches grow in “members of one body” solidarity.
So much has changed about church worship since the COVID-19 pandemic arrived, soared, waned, and resurges. Those pandemic-forced pivots have created worship opportunities that have helped congregations adapt, find unity amid division, and pursue justice.
When the pandemic prevented in-person worship, First Church of Windsor, Connecticut, learned how to create liturgical art installations and videos that moved hearts and minds even during virtual and hybrid worship.
In observance of the first national recognition of Juneteenth in the United States, these prayers, Scriptures, and music suggestions reflect the history, heart, and hope of African Americans.
Your congregation can make worship the work of the people when you use their words in worship. The hymnku form—haiku poetry set to music—works for in-person, hybrid, and online worship and can involve many ages.
Grace Baptist Church in Richmond, Virginia, often invites members to write words used in worship. They've found that crafting liturgical language, such as calls to worship or stewardship and psalm or song paraphrases, is an easy way to help more people participate in worship and congregational life.
First Christian Reformed Church of Toronto, Ontario, planned a worship grant connecting color and the liturgical year. They invited the congregation into the biblical story by collaborating on a permanent artwork. Then the pandemic prevented them from entering the church building. The landscape architect and the architect who led the grant say that this pivot turned out to be a good thing.
The service of Tenebrae, meaning “darkness” or “shadows,” is a prolonged meditation on Christ’s suffering. Readings trace the story of Christ’s passion, music portrays his pathos, and the power of silence and darkness suggests the drama of this momentous day. As lights are extinguished, we ponder the depth of Christ’s suffering and death; we remember the cataclysmic nature of his sacrifice as we hear the overwhelming sound of the “strepitus”; and through the small but persistent flame of the Christ candle which departs until Resurrection morning when we celebrate the ultimate victory.
Since the mid-1980s, Mary Aluel Garang's theologically rich hymns have helped Sudanese Christians maintain faith and hope in God despite decades of war, conflict, and hardship. Her songs are known and sung beyond her Dinka people, her Episcopal tradition, and her nation of South Sudan.
Meeting Dinka Christians and musicians decades ago in East Africa made a lasting impression on Karen Campbell, a pastor and musician. She reflects on what we can learn about God through the lens of other cultures.
