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© 2024 Calvin Institute of Christian Worship
Differences in musical tastes, aesthetics and priorities are notoriously contentious issues for congregations and ministries to navigate.
Is it possible to work in international development without hurting those we are helping?
At a time of increasing cultural and political polarization, the North American church faces enormous challenges in embodying the unity of Christ and living out Christ's mission in this time and place.
Indonesia comprises thousands of islands on both sides of the equator. Its Christians and seminarians come from many islands, languages, and cultures. They have a lot to learn from each other.
Christians who bring the gospel to other cultures often struggle to discern the difference between the essence of Christianity and its cultural packaging. That is true in Indonesia as well.
Ecumenical, post-colonial perspectives on varieties of contemporary songs
Ethnomusicologist Alfredo Colman encourages musicians who lead congregational songs from other cultures to engage with someone from that culture in order to understand and find ways in introduce songs in worship that respect and honor God and the culture.
More people are training to lead music and worship in Protestant churches in Argentina. As in churches elsewhere, they must balance using popular songs from other cultures with creating music that helps worshipers live out their faith in the real world.
Lily Constantine Kakish and Eric Sarwar share their stories of how they have witnessed the identity-shaping impact of singing Psalms and the Lord's Prayer in the Arabic language and tune.
Imagine singing “In the Bleak Midwinter” during the long hot days of Christmas in South Africa. The Bible is rich enough to include themes and symbols more relevant to living out Christian faith in the Global South.
A worship service held at Worship Symposium 2017
A bi-lingual worship service held at Worship Symposium 2017
