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On the campus of Calvin University
© 2025 Calvin Institute of Christian Worship
Welcome
Choral Introit: “Comfort, Comfort Now My People” with Psalm 42
Text: Psalter Hymnal © 1987 Faith Alive Christian Resources; Johannes G. Olearius, tr. Catherine Winkworth, P.D.
Music (FREU DICH SEHR/GENEVAN 42): Louis Bourgeois, harm. Johann Cruger, P.D.; arr. David M. Cherwien © 2023 David M. Cherwien
All rights reserved. Used by permission of David M. Cherwien and under OneLiscense.net A-703303.
Call to Worship
Based on Lamentations 3
Song: “O God Beyond All Praising”
Text: Michael Perry © 1982, 1987 Hope Publishing Company
Music (THAXTED): Gustav Holst, arr. Richard Proulx © 1988 GIA Publications, Inc.
All rights reserved. OneLicense.net A-703303.
Call to Lament and Confession:
Sung Prayer of Lament and Confession: “In Deepest Night”
Text: Susan Palo Cherwien © 1995 Susan Palo Cherwien, admin. Augsburg Fortress
Music (ROSE MARY): David Schwoebel © 2010; arr. Mark Edwards © 2019 Celebrating Grace Music, a division of Celebrating Grace, Inc.
All rights reserved. OneLicense.net A-703303. Used by permission. CCLI #400063.
Assurance of Pardon
From Isaiah 43
Song of Response: “Great Is Thy Faithfulness”
Text: Thomas O. Chisholm, 1923, © 1923, ren. 1951 Hope Publishing Company
Music (FAITHFULNESS): William M. Runyan, 1923, © 1923, ren. 1951 Hope Publishing Company
Used by permission. CCLI #400063.
Sung Prayer for Illumination: “Lord, to Whom Shall We Go”
Text and Music: John 6:68; The Iona Community © 1987, 1995 Wild Goose Resource Group, Iona Community, Scotland, GIA Publications, Inc., exclusive North American agent
All rights reserved. OneLicense.net A-703303.
Scripture: Ezekiel 47
Sermon
Prayer of Application
Choral Response: “Jesus Cristo, esperança do mundo / Jesus Christ, Hope of the World”
Text: Portuguese text by Silvio Meincke © 1982 Silvio Meicke; Spanish and English translations by Pablo D. Sosa © 1988 GIA Publications, Inc.
Music (ESPERANZA DEL MUNDO): Edmundo Reinhardt and João Gottinari © 1982 Edmundo Reinhardt and João Gottinari; arr. Greg Scheer © 2022 GIA Publications, Inc.
All rights reserved. Used by permission under OneLicense.net A-703303.
Prayers of the People
Choral Prayer: “Peace Prayer of St. Francis”
Text: Belle prière à faire pendant la Messe, P.D.; adapt. Peter Latona © 2016 Birnamwood
Music: Peter Latona © 2016 Birnamwood
All rights reserved. Used by permission under OneLicense.net A-703303.
Parting Blessing (in multiple languages)
2 Corinthians 13:13
Closing Song: “The Lord Bless You and Keep You”
Text: Numbers 6:24-26
Music (BENEDICTION): Peter Christian Lutkin, P.D.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
