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This setting of Psalm 104 for solo piano was written and submitted by Heather Niemi Savage.
Psalm 104
How does this psalm piece interpret the psalm?
“Sustenance and Praise” is not a “quiet meditation” but rather a gritty one. It is a musical contemplation of Psalm 104 that incorporates the hymn “Praise to the Lord, the Almighty.” The piece alternates between two themes: a more repetitive sustained section with some off-kilter rhythm that brings to mind the normal daily sustenance the Lord provides; and bursts of loud sections of praise. However, the hymn’s melody has some twists that evoke the idea of praising God even in the midst of difficult and stormy times. The piece ends calmly, with a C-major quote of its standard melody but with the A-minor motif from the beginning floating above.
This piece would make an excellent special music presentation.
Music: Heather Niemi Savage, © Every Generation Music
Used by permission.
Contact: Heather Niemi Savage, heatherniemisavage.com
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
