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This series contains songs that can all be found in the hymnal, Santo, santo, santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God (GIA Publications, Inc., 2019). Carlos Colón served as a consultant, translator, and arranger for this hymnal. The following three songs are songs about the return of the Lord.
Learn more about Santo, santo, santo / Holy, Holy, Holy.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 352
Text: Kathleen Thomerson © 1970, 1975, Celebration; tr. by Ronald F. Krisman © 2012 GIA Publications, Inc.
Tune: Kathleen Thomerson © 1970, 1975, Celebration; acc. by Robert J. Batastini © 1987 GIA Publications, Inc.
All rights reserved. Used by permission.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 358
Text: Felicia and Mariano Beltrán; tr. by Mary Louise Bringle © 2005, 2006 GIA Publications, Inc.
Tune: Traditional; arr. by Ronald F. Krisman © 2005, 2006 GIA Publications, Inc.
All rights reserved. Used by permission.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 349
Text: Anonymous; tr. by Greg Scheer © 2019 Greg Scheer
Tune: Anonymous; arr. by Greg Scheer © 2019 Greg Scheer
Used by permission. All rights reserved.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
