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Psalm 85, “Grant Us Your Peace, Lord,” submitted by Yongjiang Zhou, was written by Jacques Berthier and focuses on peace.
Psalm 85
How does this psalm piece interpret the psalm?
The setting of “Grant Us Your Peace, Lord” is an ostinato refrain with descant singing the central themes of Psalm 85:8–13. Psalm 85 is the prayer of an ancient faith community in crisis. The refrain has only two bars with a harmonic progression of I-II2 (D–Em2). This is an open progression, ending on dissonant harmonies (Em2—seventh chords). It seems to express the struggle of Israelites after their exile, praying to God to grant them peace again.
Whether in the pursuit of racial justice or in the fight against the COVID-19 pandemic, the deep yearning of people is for peace, the hoped-for state of humankind from ancient to modern times. In a message for today, the psalmist tells us that we need to hear God’s precious Word, fear God, and not abuse God’s grace by turning back to sin, instead walking away from sin. Then we will have true peace. True peace is not only an external environment, but a state of mind—a complete, whole, and healthy sense of security, happiness, and contentment based on a good and right relationship with God. The repeated chant of the believer—“Peace, Lord” —reinforces the faith of the community that God will give peace to God’s people and to all who seek him. Although the devil is the great destroyer, he constantly brings disharmony to the universe. But God has brought peace and harmony to the world. In this passage, the four qualities of God—love and faithfulness, peace and righteousness—come together, and then, like a victorious general, they march side by side toward victory, which is the sure hope of God's people (McClure). This harmony and peace derives from the redemption given to us through the work of the Son, Jesus Christ, on the cross, and is perfected in the last ages, when all creation shall be liberated from its bondage to decay and brought into the glorious freedom of the children of God (Rom. 8:21).
Bellinger, W H. "Commentary on Psalm 85:8-13." Working Preacher from Luther Seminary. Last modified July 12, 2009. https://www.workingpreacher.org/commentaries/revised-common-lectionary/ordinary-15-2/commentary-on-psalm-858-13-4.
Donovan, Richard N. "Psalm 85 Commentary." Sermon Writer. Last modified April 9, 2019. https://sermonwriter.com/psalm-85-commentary/.
McClure, Amy R. "Sermon P 85: 8-13 “Let Us Hear” ." First Baptist Church on Fifth. Last modified , 2018.
Use on the tenth Lord’s Day after Pentecost of Year A (2020) as a response to the first reading (1 Kings 19:9–18) or sing in a prayer meeting for peace or in a Taizé prayer service.
Text: ancient prayer
Music: Melchoir Franck, 1597-1639, arr. Jacques Berthier © 1998 Ateliers et Presses de Taizé, admin. GIA Publications, Inc.
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Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
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How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
As inhabitants of the modern age, we are deeply marked by skewed ways of thinking that thwart our humanness, our involvement with the world, and our spirituality. This is a philosophical tune-up that directly challenges and dispels modernity’s implicit philosophy. My philosophical proposals in my 2023 book Doorway to Artistry target the creative process, but they positively affect and bring healing to all arenas of life and work and worship. I pose that we as human persons are meant to live out a joyous “yes” to the real, and our involvement with the real takes the form of intimate encounter and communion. My approach reflects especially on God’s creative act and God’s created things. It taps epiphany, the redemptive encounter, and the Eucharist as paradigms for our knowing, our artistry, and all our everyday involvement with the world, so it should make us better at our stewardly dominion and voicing creation’s praise in worship.
