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This expression of Psalm 148 was submitted by Ed Willmington, who wrote it with Clayton J. Schmit. The nature of Psalm 148 is total exuberance as all of nature offers praise to God.
Psalm 148
How does this psalm piece interpret the psalm?
Originally composed for the Lausanne Congress in Cape Town, South Africa, “Let All the Heavens” was created to include drummers, dancers, choir, orchestra, and children, with a repeatable congregational refrain. Liturgically it served as the psalm reading in an Anglican African liturgy. Because the psalm speaks of the whole creation praising God, it seemed that to gather as many resources as possible was appropriate to interpret the psalm.
It could serve as the psalm reading in the liturgy and could also function as an effective Call to Praise.
Purchase the full orchestration for "Let All The Heavens Praise!"
Text and Music: Psalm 148; Edwillmington, 210 Jubal House Publications. Used by permission.
Contact Fred Bock Music Group, Steve Bock sbock@fredbock.com, and info@fredbock.com for usage permissions.
A Psalm Talk by Jared E. Alcántara recorded at the 2026 Psalms 150 conference, with a visual prayer and embodied response from artist Dea Jenkins.
A Psalm Talk by Rawn Harbor with musical pieces with a visual prayer and embodied response led by Dea Jenkins.
A Psalm Talk by Karen Campbell on peace and reconciliation with a visual prayer and embodied response led by Dea Jenkins.
A Psalm Talk by Jared E. Alcántara recorded at the 2026 Psalms 150 conference, with a visual prayer and embodied response from artist Dea Jenkins.
A Psalm Talk by Rawn Harbor with musical pieces with a visual prayer and embodied response led by Dea Jenkins.
A Psalm Talk by Karen Campbell on peace and reconciliation with a visual prayer and embodied response led by Dea Jenkins.
Psalm Talk by Cynthia Eriksson recorded at the 2026 Psalms 150 conference with a visual prayer and embodied response led by Dea Jenkins.
