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This setting of Psalm 146 was submitted by Larry Visser, who also composed this organ setting.
Psalm 146
How does this psalm piece interpret the psalm?
The English trumpet tunes of the 17th century composed by Jeremiah Clarke and Henry Purcell were played for nobility, kings, and queens, and are still to this day often heard at wedding ceremonies. This neo-baroque trumpet tune based on Psalm 146 evokes the majesty and royalty not of an earthly king, but of the sovereign King of glory, the Lord of all. While the psalm is framed with words of praise, the interior verses are a call not to place our trust in human power, position, or status, but rather in the Lord, the One who created heaven and earth, cares for the oppressed and hungry, sets prisoners free, gives sight to the blind, lifts the humble, watches over the foreigner, sustains the fatherless and the widow. In a time of political divisiveness, international conflict, racial injustice, famine, sickness, and death, this psalm brings hope for those whose help is in the Lord, the God of Jacob. The music is based on the hymn tune RIPLEY (Lift Up Your Hearts #518), composed by the famous American Lowell Mason who promoted and published music for schools, choirs, and congregations.
This organ setting is most useful as a prelude, postlude, or hymn introduction in any praise-themed worship service, at a service that focuses on God’s grace, or even as a wedding recessional.
Music: Larry Visser © Larry Visser
Used by permission.
Contact: Larry Visser, www.lagrave.org/leadership
Songs from the people of Korea can deeply enrich your liturgy whether you have Korean-speaking members in your congregation or not. This workshop will introduce a variety of bilingual Korean-English songs that have been newly translated in the past few years as well as strategies to lead them effectively in your own worshiping context.
In this panel, Hispanic pastors share the learnings and experiences lived by their congregations after completing projects related to the development of their understanding and practices about worship. Together, they represent a variety of Hispanic denominations as well as of "dreams" they were able to realize (learning about the Creeds, bilingual worship, multigenerational worship, worship in non-traditional settings). Their congregations were part of the first cohort of Hispanic congregations receiving "worship grants" under a new initiative CICW launched in July of 2022.
What basic models for worship planning are out there, and which patterns will work best in your context? Join a lively discussion of several worship planning models by the authors and pastors who use them. Bring your questions and suggestions as we learn together.
Songs from the people of Korea can deeply enrich your liturgy whether you have Korean-speaking members in your congregation or not. This workshop will introduce a variety of bilingual Korean-English songs that have been newly translated in the past few years as well as strategies to lead them effectively in your own worshiping context.
In this panel, Hispanic pastors share the learnings and experiences lived by their congregations after completing projects related to the development of their understanding and practices about worship. Together, they represent a variety of Hispanic denominations as well as of "dreams" they were able to realize (learning about the Creeds, bilingual worship, multigenerational worship, worship in non-traditional settings). Their congregations were part of the first cohort of Hispanic congregations receiving "worship grants" under a new initiative CICW launched in July of 2022.
What basic models for worship planning are out there, and which patterns will work best in your context? Join a lively discussion of several worship planning models by the authors and pastors who use them. Bring your questions and suggestions as we learn together.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
