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This setting of Psalm 145 was submitted by Paul Neeley, and was composed by Paul Neeley and Josh Davis. The chorus text includes a New Testament prayer to help us live out the psalm text.
Psalm 145
How does this psalm piece interpret the psalm?
The kingdom of God is a key theme throughout the Bible. It is highlighted in verses 9–13 of Psalm 145, and that became the basis for the song’s chorus, with a New Testament prayer added. The lyrics are multilingual to audibly connect the kingdom of God with the global church. The musical scale we chose is from Korea, there called Pyeong jo. In today’s fractured world, it is vital to help North American congregations remember their God-appointed ties to the global church.
The song may be freely used by churches in services (live or streamed). It would also be a good piece for liturgical dance or congregational hand movements.
Text and Music: Psalm 145; Paul Neeley and Josh Davis, © Paul Neeley and Josh Davis
Used by permission. Creative Commons.
Contact: Paul Neeley, paulneeley@gmail.com; Josh Davis, jd@proskuneo.org
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
