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This musical setting of Psalm 137 aims to interpret the spirit of the psalm rather than being a literal rendition, turning harps into guitars and naming some of the oppressors of our modern world.
Psalm 137
How does this psalm piece interpret the psalm?
“So Far from Home” is perhaps the first congregational song to include a curse word. Before passing judgment about the indelicacy of such a poetic move, let’s consider its theological appropriateness. Psalm 137 ends with the imprecation: “Happy shall they be who take your little ones and dash them against the rock!” What are we to do with such an expression of vengeance? Should we sing the pleasant parts of the psalm and just skip this? Do we believe that vengeful feelings no longer apply in the age of Christ? Do we simply put the imprecation on people’s lips without examination?
I chose to interpret this imprecation as a curse—specifically, the curse words “God damn.” It retains the shock of the original psalm while turning from the violence of killing babies to damning some modern forces of human oppression and misery: slave traders, pimps, and wars. At its core, Psalm 137 ends with righteous anger. I attempted to transplant that righteous anger in a way that makes sense for a modern worshiper.
Psalm 137’s message of enslavement, homesickness, and vengeance has never been more timely. Perhaps an unblinking musical setting like this will allow its message to speak in a new way.
Realistically, few congregations will sing this as a group. However, I could imagine it being performed in conjunction with the scripture reading and sermon, perhaps with scripture and lyrics displayed side by side.
Text and Music: Psalm 137; Greg Scheer, © 2015 Greg Scheer
Used by permission. CCLI #400063.
Contact: CCLI License or Greg Scheer, greg@gregscheer.com
Jared Ortiz, professor at Hope College, Holland, Michigan, describes the Nicene Creed as a dramatic and powerful statement where every word is like a declaration of war, saying yes to the truth and no to many falsehoods.
Jane Williams, professor of theology at St. Mellitus College in London, England, sees the Nicene Creed, crafted 1700 years ago, as an extraordinary creative and exciting description of who God is and therefore what we trust in as Christians in God's world.
Maria Eugenia Cornou and Mikie Roberts serve on a planning team for an October worship event in Egypt to mark the 1700th anniversary of the Council of Nicaea and the ecumenical creed that emerged in the year 325 and remains firmly embedded in the worship practices of the church today.
Jared Ortiz, professor at Hope College, Holland, Michigan, describes the Nicene Creed as a dramatic and powerful statement where every word is like a declaration of war, saying yes to the truth and no to many falsehoods.
Jane Williams, professor of theology at St. Mellitus College in London, England, sees the Nicene Creed, crafted 1700 years ago, as an extraordinary creative and exciting description of who God is and therefore what we trust in as Christians in God's world.
Maria Eugenia Cornou and Mikie Roberts serve on a planning team for an October worship event in Egypt to mark the 1700th anniversary of the Council of Nicaea and the ecumenical creed that emerged in the year 325 and remains firmly embedded in the worship practices of the church today.
This expression of Psalm 148 was submitted by Ed Willmington, who wrote it with Clayton J. Schmit. The nature of Psalm 148 is total exuberance as all of nature offers praise to God.
