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Breve canción de Gerardo Oberman basada en un verso del Salmo 124, utilizado al inicio de los cultos en la tradición reformada. / This setting of Psalm 124 was submitted by Gerardo Oberman and is based on a verse from Psalm 124 used at the beginning of the worship services in the Reformed tradition.
Psalm 124
How does this psalm piece interpret the psalm?
La breve frase musical fue compuesta para acompañar el inicio de los cultos en una iglesia en Buenos Aires, Argentina, y se ha hecho popular en varios países, siendo utilizada en varias iglesias en el continente.
The short musical phrase was composed to accompany the beginning of the services in a local church in Buenos Aires, Argentina, and has become popular in several countries, being used in several churches in the continent.
Canto de entrada, afirmación de fe / Entrance song, affirmation of faith
Text and Music: Psalm 124; Gerardo Oberman and Horacio Vivares, © Red Crearte
Used by permission. Creative Commons.
Contact: Red Crearte, Gerardo Oberman, redcrearte@redcrearte.org.ar
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
