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On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
While both friend and foe of John Calvin have regarded him as an enemy of the physical body, a pessimist about the material creation, and a negative influence on the liturgical arts, that would tell only half the story—and be far from the more interesting story. This seminar explored ways in which Calvin, standing at the headwaters of the Reformed tradition, represents a rich resource for the arts in worship, even if not in the ways one might initially suppose. More specifically, Calvin’s theology of creation opens up a trinitarian grammar by which we might understand the theological purposes of music, painting, architecture, poetry, and other media of art in corporate worship.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
Martin Luther frequently called Psalm 118 as his “own beloved psalm,” describing it as a “friend who helped [him] out of many troubles.” This session provides a history of the interpretation of this beloved psalm by looking at the readings of Ambrose, Augustine, Theodoret of Cyrus, Cassiodorus, Luther, and Calvin.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
