1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Every Sunday during worship, creative people do excellent work. Pastors preach the text and lead the liturgy, musicians provide instrumental and choral music, educators shepherd children, and artists work on visual arts and other creative experiences that heighten everyone's sense of worship. However, without careful attention, the worship event can become a collection of pieces rather than a glorious whole. Churches of every size can invite clergy and laity to join together and create a service that inspires with its unity, harmony, and variety. Led by artist Ellen Phillips, this workshop was a time to explore collaborative methods as well as to share ideas for the art of worship.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
