1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University and Calvin Theological Seminary
© 2025 Calvin Institute of Christian Worship
This third session is part of “Experiencing the Contours of Early Modern Worship,” a series of five linked sessions bringing participants into the world of Reformation Europe. What was it like to attend worship in Wittenberg in 1530, Geneva in 1550, London in 1570, or Venice in 1590? When people in different confessional contexts joined in worship and participated in the sacrament in this period, what differences and similarities were there? Join Yudha Thianto [Calvin Theological Seminary] and Karin Maag [Meeter Center] in an encounter with the theory and practice of congregational song in the Reformation era with a particular focus on psalm-singing.
Knowing more about the hymns they are singing helps worshipers feel more connected to God and each other in the universal body of Christ that spans all times and places.
Church pianists who apply William Phemister’s advice can introduce congregations to hymnody or more deeply immerse them in it. Typical worshipers may be surprised to learn that pianists don’t necessarily play every note as written in the hymnal—and there are good reasons why.
Some congregations and worshiping communities sing songs from printed notation, others from projected text and lyrics, others from projected text, and others that are led orally, without anything printed.
In this episode, artistic director Mark Doerries tells the emerging story of the Notre Dame Children’s Choir, now ten years old, and the formative process and unifying vision the choir has built as they learn what it means to sing the sacred story of the church across time and space.
The Old Testament unfolds the cosmic nature of God’s promised redemption “far as the curse is found.” Reflecting back on the coming of Messiah, Paul not only testified that it was in Jesus Christ that all things were created, but also that in Jesus Christ, God was at work to “reconcile to himself all things.” [Col. 1:15]. In this service of lessons and carols, sung by the Calvin University choirs, hear texts celebrating this all-creation vision of redemption.
Our 2017 annotated list of worship songs about care for creation remains so popular that we have compiled a new list of worship songs to lament climate change and encourage creation care. Many of these songs and hymns have been released since 2018. Others are new to various English-speaking audiences because they come from international hymnals and organizations.
David Lemley’s book "Becoming What We Sing: Formation through Contemporary Worship Music" recognizes that contemporary worship music [CWM] helps Christians around the world feel close to God. Lemley looks at whether or how CWM moves worshipers from adoration to participation in the mission of God’s church.
Constanza Bongarrá and Marcelo Villanueva demonstrate and talk about five songs as part of the CICW series "Songs from the hymnal 'Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God.'"
Your congregation can make worship the work of the people when you use their words in worship. The hymnku form—haiku poetry set to music—works for in-person, hybrid, and online worship and can involve many ages.
Since the mid-1980s, Mary Aluel Garang's theologically rich hymns have helped Sudanese Christians maintain faith and hope in God despite decades of war, conflict, and hardship. Her songs are known and sung beyond her Dinka people, her Episcopal tradition, and her nation of South Sudan.
Meeting Dinka Christians and musicians decades ago in East Africa made a lasting impression on Karen Campbell, a pastor and musician. She reflects on what we can learn about God through the lens of other cultures.
