Liturgical Practices of Enslaved Africana People in the American Colonial Period As Witnessed in Select [En]slave[d] Narratives
This recording from the African American Religious Autobiographies Seminar, held in July 2022, presents an examination of enslaved narratives as a genre and primary source of the experiences of enslaved Africana people in the American context and presents select excerpts reflective of their theology and liturgical practice. Reverend Weaver joined us for a night of learning, presenting on her current historical research into the worship practices of early enslaved Americans.
Demythologizing Freedom and the Beloved Community: A Practical Theology
This Recording from the African American Religious Autobiographies Seminar, held in July 2022, highlights the psychological and spiritual profiles of key religious anti-racist figures from the 19th and 20th Century, using practical theology and psychohistory.
Unfinished Business: From the Great Migration to Black Lives Matter
This recording from the African American Religious Autobiographies Seminar, held in July 2022, includes the viewing and discussion of a musical documentary that showcases untold Great Migration [1916-1970] stories of elders from Black churches in Philadelphia and Pittsburgh and connects their distinctive history to the contemporary Black Lives Matter movement.
Kenneth L. Wallace Jr. on Multiethnic Worship
Multiethnic worship includes but is much more than singing songs from diverse cultures. An ethnodoxologist who identifies as African American Choctaw Pawnee says you need to know your own culture’s stories and gifts to share with and receive from Christians in other cultures.
Rebekah Eklund on Practicing Lament
Congregations become more relevant and biblical when they follow the Bible’s lead in bringing lament into worship. Rebekah Eklund’s book "Practicing Lament" shows churches, small groups, and individuals how to voice penitential lament and protesting lament. Learning to practice lament can reconnect people with God and help churches grow in “members of one body” solidarity.
Juneteenth Worship and Prayer Resources
In observance of the first national recognition of Juneteenth in the United States, these prayers, Scriptures, and music suggestions reflect the history, heart, and hope of African Americans.
Constanza Bongarrá and Marcelo Villanueva lead songs from “Santo, Santo, Santo / Holy, Holy, Holy”
Constanza Bongarrá and Marcelo Villanueva demonstrate and talk about five songs as part of the CICW series "Songs from the hymnal 'Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God.'"
Mary Aluel Garang: The Charles Wesley of South Sudan
Since the mid-1980s, Mary Aluel Garang's theologically rich hymns have helped Sudanese Christians maintain faith and hope in God despite decades of war, conflict, and hardship. Her songs are known and sung beyond her Dinka people, her Episcopal tradition, and her nation of South Sudan.
Karen Campbell on Dinka Gospel Songs
Meeting Dinka Christians and musicians decades ago in East Africa made a lasting impression on Karen Campbell, a pastor and musician. She reflects on what we can learn about God through the lens of other cultures.
Dinka Christian Infrastructure: Song and Prayer Ministries
During decades of Sudanese civil war, the Jol Wo Lieech song ministry and Thiec Nhialic prayer ministry gave refugees and refugee congregations a sense of family and purpose. Both still work to unite Christians, whether or not they belong to the Dinka tribe or still live in South Sudan.
Bilingual Choral Music: A Webinar Series
Pearl Shangkuan, professor of music and director of choral activities at Calvin University and co-editor of the Calvin Institute of Christian Worship Choral Music Series with GIA Publications, talks with Latin American music experts Maria Guinand, Jorge Lockward, and Marcell Silva Steuernagel about best practices for teaching and performing Latin and South American choral music.
Bilingual Choral Music: A Conversation with Maria Guinand.
International renowned choral conductor Maria Guinand shares practical tips for North American choirs in teaching and performing Latin and South American choral music.