Apply for the Vital Worship, Vital Preaching Grants Program to support and enhance Christian worship practices. We encourage proposals on universal design, cultural engagement, preaching, baptism, the Lord’s Supper, and more. Two grant streams are available.
Join us for our Symposium on Worship and Summer Seminars. Engage in inspiring sessions, workshops, and intensive seminars to deepen your understanding and practice of Christian worship.
Since at least the eighth century, Christians have prepared to celebrate the birth of Christ by singing the O Antiphons. These seven songs, or antiphons, function as prayers asking for the Savior to come soon. Each employs a different name for the Messiah found in the Old Testament. In modern times, the O Antiphons are most commonly sung as the seven verses of the Advent hymn “O Come, O Come Emmanuel.”
The Calvin Institute of Christian Worship at Calvin University advances Christian worship through resources, events, and grants. Since 1997, we have partnered with congregations and organizations to fulfill our mission.
These video excerpts come from a conversation between William A. Dyrness and John D. Witvliet at the annual Calvin Institute of Christian Worship—CICW—grants colloquium in June 2019.
The hour-long conversation included discussions about developments in theology and arts over the last few decades, how people experience the arts in worship, and insights from Dyrness’s many books.
Dyrness said his interest in teaching theology and the arts predated most institutions’ readiness to address the topic. After earning his doctor of theology degree from the University of Strasbourg in France, he sent letters to many institutions to inquire about teaching theology and the arts. “I think I mystified people,” he said. Instead he served for years as a youth pastor, a missionary to the Philippines at Asian Theological Seminary, and dean at Fuller Theological Seminary.
In 2000, about the same time he joined the CICW grants advisory board, Dyrness finally got the chance to teach theology, culture, and the arts at Fuller’s new Brehm Center. His book Visual Faith: Art, Theology, and Worship in Dialogue came out in November 2001. "My teaching and writing since then has been informed in part by CICW. Reading grant applications is like doing on-the-ground research," he said in his June 2019 conversation with Witvliet.
Dyrness said that when he first began evaluating worship grant proposals, few involved the arts. In the most recent round, however, nearly a third of proposals dealt with worship and visual arts.
Dyrness recommends that Christians and churches use the full range of their God-given gifts as well as learning from non-Christians such as Colm Tóibín, whose powerful novel The Testament of Mary can help Christians think deeply about how to portray her.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
The First Nations Version New Testament and its Impact on Worship
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
Thinking about Catholic Diversity as a Migrant Church (Salsa Style!)
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
The First Nations Version New Testament and its Impact on Worship
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
Thinking about Catholic Diversity as a Migrant Church (Salsa Style!)
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
Attuning Your Philosophy to Enhance Your Creativity and Your Worship
As inhabitants of the modern age, we are deeply marked by skewed ways of thinking that thwart our humanness, our involvement with the world, and our spirituality. This is a philosophical tune-up that directly challenges and dispels modernity’s implicit philosophy. My philosophical proposals in my 2023 book Doorway to Artistry target the creative process, but they positively affect and bring healing to all arenas of life and work and worship. I pose that we as human persons are meant to live out a joyous “yes” to the real, and our involvement with the real takes the form of intimate encounter and communion. My approach reflects especially on God’s creative act and God’s created things. It taps epiphany, the redemptive encounter, and the Eucharist as paradigms for our knowing, our artistry, and all our everyday involvement with the world, so it should make us better at our stewardly dominion and voicing creation’s praise in worship.
