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This series contains songs that can all be found in the hymnal, Santo, santo, santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God (GIA Publications, Inc., 2019). Carlos Colón served as a consultant, translator, and arranger for this hymnal. The following three songs are songs for Epiphany.
Learn more about Santo, santo, santo / Holy, Holy, Holy.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 108
Text: Catalina Bardwell de Noble ©; tr. by Mary Louise Bringle © 2019, Catalina Bardwell de Noble
Tune: Mexican melody; Himnos y cantos para los niños
All rights reserved. Used by permission.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 110
Text: Villancico Puerto Rico; tr. by Geroge K. Evans and Walter Ehret © 1963, 1980 Walter Ehret and George K. Evans, admin. by Walton Music Corp., a division of GIA Publications, Inc.
Tune: Villancico Puerto Rico
All rights reserved. Used by permission.
Santo, Santo, Santo: Cantos para el pueblo de Dios / Holy, Holy, Holy: Songs for the People of God # 242
Text: Bernadette Farrell; tr. by George Lockwood
Tune: Bernadette Farrell
© 1993, 2000, tr. © 2012 Bernadette Farrell. Published by OCP
Used by permission. All rights reserved.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
