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On the campus of Calvin University
© 2026 Calvin Institute of Christian Worship
Choral Introit: “Christ Hath a Garden”
Text: Isaac Watts
Music (O WALY WALY 8.8.8.8): English folk melody; arr. Gerald Near © 1973 Belwin-Mills Publishing
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Call to Worship
Opening Hymn: “Like the Murmur of the Dove’s Song”
Text: Carl P. Daw, Jr. © 1982 Hope Publishing
Music (BRIDEGROOM 8.7.8.7.6): Peter Cutts; desc. Emily Brink © 1969 Hope Publishing
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Evening Psalm: Psalm 141:1–4a, 8
Words: Psalm 141
Music: Gerald Cartford © 1998 Augsburg Fortress Publishers; arr. Bethany Vrieland © 2011 Augsburg Fortress
Psalm Text: from Evangelical Lutheran Worship © 2006 Evangelical Lutheran Church in America, admin. Augsburg Fortress
Tone: © 1996 Augsburg Fortress Publishers
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Prayers of the People
Anthem: “Jesus Christ, the Apple Tree”
Text: Anonymous, 18th century, based on Song of Solomon 2:3
Music: Elizabeth Poston © 1967 Elizabeth Poston
Used by permission.
Old Testament Reading: Isaiah 55:6–13
Hymn: “Light Dawns on the Weary World”
Text: Mary Louise Bringle © 2002 GIA Publications, Inc.
Music (TEMPLE OF PEACE 7.6.6.7.8 and refrain): William P. Rowan © 2000 GIA Publications, Inc.; arr. David Cherwien © 2021 GIA Publications, Inc.
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New Testament Reading: John 15:4–17
Hymn: “O Blessed Spring”
Text: Susan Palo Cherwien © 1993 Susan Palo Cherwien, admin. Augsburg Fortress
Music (BERGLUND 8.8.8.8): Robert Buckley Farlee © 1993 Robert Buckley Farlee, admin. Augsburg Fortress; arr. David Cherwien © 2011 Augsburg Fortress
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Charge and Blessing
Closing Hymn: “Alleluia! Jesus Is Risen”
Text: Herbert F. Brokering © 1995 Augsburg Fortress
Music (EARTH AND ALL STARS 4.5.10 D refrain 10.5.4): David N. Johnson © 1968 Augsburg Fortress
All rights reserved. OneLicense.net A-70770.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
