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How does worship relate to culture? How is worship in culture, but not of it? This video and accompanying Nairobi Statement on Worship and Culture explore four central principles for an open and discerning approach to culture.
An Open and Discerning Approach to Culture: #5 in a series on the "10 Core Convictions about Worship" from Calvin Worship Institute on Vimeo.
How does worship relate to culture? How is worship in culture, but not of it? The Lutheran World Federation's Study Team on Worship and Culture met in Nairobi in January of 1996 and produced the Nairobi Statement on Worship and Culture. The statement presents four central principles of the relationship between worship and culture:
1) Worship is transcultural (Worship has certain dynamics that are beyond culture).
2) Worship is contextual (Worship reflects local patterns of speech, dress, and other cultural characteristics).
3) Worship is counter-cultural (Worship resists the idolatries of a given culture).
4) Worship is cross-cultural (Worship reflects the fact that the body of Christ transcends time and space).
We have found that the most meaningful worship - and the wisest worshiping community - does not just choose one of these four as its defining principle, but instead is invigorated by the truth of all four.
Note how this statement nuances the model of being "in but not of" culture, and calls us to a more sophisticated understanding of worship's relationship to culture.
The complete text of the Nairobi Statement is posted at the Lutheran World Federation website. It was also published in Christian Worship: Unity in Cultural Diversity, ed. S. Anita Stauffer (Geneva: Lutheran World Federation, 1996).
We encourage worshipers and worship leaders to reflect on it as they consider the context and challenges of their culture, and answer God's call to worship within it and minister to it.
Related Resources
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
Modern song writers are continually setting the psalms to new music for band-led worship contexts. Join Paul Ryan, Nate Glasper, and the Calvin University Worship Apprentices to sing contemporary psalm settings sung in public worship at Calvin.
Join this excursion through compositional method, use of text, melodic creation, vocal range, and inner insights. The session includes the presentation of new psalm settings by Rawn Harbor.
