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How does worship relate to culture? How is worship in culture, but not of it? This video and accompanying Nairobi Statement on Worship and Culture explore four central principles for an open and discerning approach to culture.
An Open and Discerning Approach to Culture: #5 in a series on the "10 Core Convictions about Worship" from Calvin Worship Institute on Vimeo.
How does worship relate to culture? How is worship in culture, but not of it? The Lutheran World Federation's Study Team on Worship and Culture met in Nairobi in January of 1996 and produced the Nairobi Statement on Worship and Culture. The statement presents four central principles of the relationship between worship and culture:
1) Worship is transcultural (Worship has certain dynamics that are beyond culture).
2) Worship is contextual (Worship reflects local patterns of speech, dress, and other cultural characteristics).
3) Worship is counter-cultural (Worship resists the idolatries of a given culture).
4) Worship is cross-cultural (Worship reflects the fact that the body of Christ transcends time and space).
We have found that the most meaningful worship - and the wisest worshiping community - does not just choose one of these four as its defining principle, but instead is invigorated by the truth of all four.
Note how this statement nuances the model of being "in but not of" culture, and calls us to a more sophisticated understanding of worship's relationship to culture.
The complete text of the Nairobi Statement is posted at the Lutheran World Federation website. It was also published in Christian Worship: Unity in Cultural Diversity, ed. S. Anita Stauffer (Geneva: Lutheran World Federation, 1996).
We encourage worshipers and worship leaders to reflect on it as they consider the context and challenges of their culture, and answer God's call to worship within it and minister to it.
Related Resources
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
Why and how did psalm singing become such a hallmark of Reformed worship? Join Dr. Karin Maag for a fascinating journey through time, from Reformation Geneva to Scotland and from the Netherlands to New England, exploring the roots and impact of metrical psalm singing. Along the way, we will hear the voices of early modern Christians as they learned how to sing the psalms, both in unison and in harmony.
Sister Kathleen Harmon of the community of the Ohio province of the Sisters of Notre Dame de Namur in Dayton, invites us to be transformed by the psalms and experience them as the whole story God is revealing to us. As we keep praying and singing them, the psalms interpret us, and that’s when the transformation comes.
Vinroy D. Brown Jr.—conductor, musicologist, educator, and minister of creative worship and music at the historic Abyssinian Baptist Church in New York City—explores the vibrant intersection of Black sacred music and the psalms. He talks about Black composers and how they have reimagined the psalms through choral music, spirituals, and the gospel tradition for the benefit of everyone.
John Goldingay, an Anglican priest and the senior professor of Old Testament at Fuller Theological Seminary, posits the psalms are the densest material in the entire Old Testament. They expound the nature of God as the compassionate, faithful, and committed one, but also as the one who makes demands upon us. The psalms help us talk to God, even about difficult things—and when we do, we are talking to someone who is in a position to do something about it.
