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Since at least the eighth century, Christians have prepared to celebrate the birth of Christ by singing the O Antiphons. These seven songs, or antiphons, function as prayers asking for the Savior to come soon. Each employs a different name for the Messiah found in the Old Testament. In modern times, the O Antiphons are most commonly sung as the seven verses of the Advent hymn “O Come, O Come Emmanuel.”
The Calvin Institute of Christian Worship at Calvin University advances Christian worship through resources, events, and grants. Since 1997, we have partnered with congregations and organizations to fulfill our mission.
3 Songs of Lament and Hope / 3 Cantos de lamento y esperanza
Published on
April 6, 2020
Video length
1 mins
Carlos Colón demonstrates and talks about three songs of lament and hope, as part of the series "Songs from the hymnal / Cantos del himnario 'Santo, Santo, Santo / Holy, Holy, Holy.'"
What basic models for worship planning are out there, and which patterns will work best in your context? Join a lively discussion of several worship planning models by the authors and pastors who use them. Bring your questions and suggestions as we learn together.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
The First Nations Version New Testament and its Impact on Worship
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
What basic models for worship planning are out there, and which patterns will work best in your context? Join a lively discussion of several worship planning models by the authors and pastors who use them. Bring your questions and suggestions as we learn together.
Join us after the University worship service (chapel) for a conversation with worship leader Kimberly Williams. We will explore topics related to worship leading and planning for diverse congregations, leading teams, songwriting and recording, and mentoring women in ministry.
The First Nations Version New Testament and its Impact on Worship
In this session Terry Wildman will share the vision, process, and outcomes of the First Nations Version (FNV) New Testament. Why was this translation needed? Who was involved in the translation? What were some of the cultural challenges faced by the translation council? What does it say about the translations done in Native languages in the past? How did the translation council decide on more than 185 key words and terms? What are some of the unique qualities of the FNV versus other English versions? How has the FNV affected the worship expressions of some Native believers? What is the future of the FNV?
Thinking about Catholic Diversity as a Migrant Church (Salsa Style!)
How does one think about diversity as a Christian or as the church? How might working with and among—or even just thinking about—migrant neighbors contribute to our ecclesial identity? The language of catholicity allows us to imagine the unity of the church not in a monocultural way, but rather as a community inclusive of people of all languages and ethnicities. Migration and migrants today especially remind the church of its own catholic identity. How does the church's identity as a migrant church foster a healthy catholicity in the church's worship? This session will include the use of salsa music to invite participation in a more catholic way of life, asking what multicultural, cross cultural, and intercultural ways of being a church on the move might look like in worship.
