If a worship song is a self-contained item with text and tune, able to stand and be used independently of its origins, why do worshipers like to know the background stories behind the hymns and choruses they love? Does it make a difference when we know something about songwriters, their context, and the situation out of which specific songs come? Does the desire to know a song’s history tell us more about the song or about ourselves? This seminar on songwriting stories explored these questions.
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