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This setting of Psalm 1 in Cantonese was submitted by Yvette Lau, is written by Yvette Lau -- music arranger: Jim Ling; singer: Wong Wa Sang; sand artist: Edith Wu -- and focuses on the choice of blessings to meditate on God’s Word day and night.

This musical setting of Psalm 137 aims to interpret the spirit of the psalm rather than being a literal rendition, turning harps into guitars and naming some of the oppressors of our modern world.

This setting of Psalm 89:1–18 was written and submitted by Ken Michell. It focuses on God’s covenant community praising him for his love and faithfulness.

This setting of Psalm 133 was submitted by Carlos Colón and was written by Pablo Sosa. It focuses on the unity when everyone dwells in harmony.

This choral reading of Psalm 105 is adapted for 17 speakers.

An order of worship planned around Psalm 118, originally held at the Calvin Symposium on Worship.

In the Western hemisphere, especially in Europe and considerable sections of North America, vigorous contempt toward and sleepy disregard of the Christian church are widespread and increasing at an ever-accelerating rate.

Modernity has a kind of airy weightlessness, a lack of seriousness and significance. So, when it comes to the matter of “setting their minds on things eternal”—that is, of paying any heed to the world beyond sight and sound—most contemporary people are pretty breezy and airy.

This setting of Psalm 104 for solo piano was written and submitted by Heather Niemi Savage.

Breve canción de Gerardo Oberman basada en un verso del Salmo 124, utilizado al inicio de los cultos en la tradición reformada. / This setting of Psalm 124 was submitted by Gerardo Oberman and is based on a verse from Psalm 124 used at the beginning of the worship services in the Reformed tradition.