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On the campus of Calvin University
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Lisa De Boer teaches art and art history at Westmont College in Santa Barbara, California. For the 2011-2012 school year, Calvin Institute of Christian Worship hosted De Boer as a visiting scholar.
She notes that most churches get started in visual arts ministry by opening a church art gallery. Some view it as an outreach to the community and career artists. Other churches seek to fill the gap in art education in public schools. Still other congregations create an art gallery to affirm the arts as a legitimate cultural activity.
Here she talks about the more complex step of moving from displaying art in a church gallery to including visual arts in worship.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
This panel considers the psalms as a source of artistic and theological engagement, exploring how musicians and songwriters draw from these ancient texts to navigate the emotional complexity of the human experience. Through diverse musical approaches and cultural perspectives, the panelists will consider how the psalms continue to resonate in modern contexts by offering language for lament and praise, shaping liturgical practice, and fostering resilience in both personal and communal experience.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
Carmen Imes has spent the past fifteen years immersed in the book of Exodus, writing about it for both her master’s thesis and her doctoral dissertation. In this lecture, Imes will share some of the most paradigm-shifting insights she’s had while reading Exodus through an Egyptian lens.
This panel considers the psalms as a source of artistic and theological engagement, exploring how musicians and songwriters draw from these ancient texts to navigate the emotional complexity of the human experience. Through diverse musical approaches and cultural perspectives, the panelists will consider how the psalms continue to resonate in modern contexts by offering language for lament and praise, shaping liturgical practice, and fostering resilience in both personal and communal experience.
“Deconstruction” is a popular term among young people who grew up in the Christian church. In this public lecture, Robert Chao Romero will consider the challenge of widespread deconstruction while offering a hopeful path forward. Expanding on Phyllis Tickle’s analogy of the church having a rummage sale of ideas every few centuries, Romero invites us to consider the contributions of Latina/o theology and the history of the Brown Church as valuable resources for reconstruction on the other side of deconstruction.
In this workshop, the McGrath family and Kiran Young Wimberly will discuss how spiritual practices, particularly singing the psalms, can build resilience in our lives. In a retreat-like experience, interwoven with psalms set to Celtic music, we will sing together as we reflect on what brings us joy, strength, and hope so we can flourish in the face of daily challenges.
